- #Fx deadly art of illusion movie
- #Fx deadly art of illusion full
Mike Brandon (Tom Mason), the ex-husband of Rolly's girlfriend Kim(Rachel Ticotin), is a cop. He tricks him into grabbing an unloaded Uzi covered in Krazy Glue (see the quotes at the top of the page) and forces Mason into a confrontation with the police, where he is quickly shot dead after 'refusing' to drop his gun.F/X man Rollie Tyler (Bryan Brown) is now a toy maker.
Suicide by Cop: How Rollie deals with Colonel Mason in the first movie. Set a Mook to Kill a Mook: In the climax of the first movie, Rollie deals with Mason's mooks by using special effects tricks to make them kill each other while trying to kill him (for instance, by making a reflection of himself appear to a mook who shoots at it and kills another mook who was standing behind it). #Fx deadly art of illusion movie
Numbered Sequels: The second movie simply change F/X to F/X 2 to create the sequel name. #Fx deadly art of illusion full
Master of Disguise: Rollie makes full use of his makeup skills to appear as different people. Lighter and Softer: The PG-13 sequel is this to the R-rated original film, due to less profanity, gore and violence. Latex Perfection: Justified in that Rollie not only employs significant computer resources to generating a full 3-D image of the head, but he also generates the "mask" in strips so that it moves naturally with the face. Lampshaded Double Entendre: McCarthy finishes a "how to use a gun" lecture to a female cop with, "And this is how you 'cock the sucker'.in a manner of speaking, that is.". In the second movie, he employs a remote-controlled clown lying in wait for anyone anticipating the monster! 
Jump Scare: Rollie has a latex movie monster set up to leap at his door while a recording of the monster's roar is played, whenever somebody comes in. It turns out to be a double bluff where Rollie is framed for the death of DeFranco, but he was indeed only Faking The Dead. Faking the Dead: The professed intent of Rollie's first job is to do this for DeFranco being put into witness protection. Rollie jumping in to deactivate it, to the film crew's annoyance. It gets further compounded when the "Quarter million dollar" animatronic prop used for the alien cyborg runs amok and threatens the safety of the gathered audience. Ending in failure when the effects technician's explosion doesn't go off when it's supposed to. .jpg "fx deadly art of illusion")
For the second, a sci-fi alien movie inspired by The Terminator featuring an alien cyborg Disguised in Drag is being filmed.The scene is performed successfully thanks to Rollie's work. In the first movie, it's a crime thriller involving a mysterious trenchcoated man shooting up a fancy restaurant.Fake Action Prologue: Both movies open up with a shooting of a film.Decoy Protagonist: In the first film Ellen seems like a typical love interest and a sidekick, but is shot by a sniper 30 minutes in.At the end, he touches an electrified gate. He worries that the transceiver used to trigger the blood-packs will interfere with it. Chekhov's Gun: DeFranco's pacemaker in the first one.Leo's actor Brian Dennehy had played the Big Bad of the first film. Celebrity Paradox: The Rambo films exists in the film's universe, evidenced by the poster for the second film in Rollie's apartment.Turns out that two pay phones have been taped together earpiece-to-mouthpiece so tracing the call wouldn't work. The Calls Are Coming from Inside the House: A phone call is traced to the lobby of the same government building where the call is being taken.
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